| INTRODUCTION.............................................................................. | 1 |
| AUDITION ETIQUETTE FOR TV, FILM, AND COMMERCIALS.................... | 2 |
| How To Enter And Exit...................................................................... | 4 |
| Performance.................................................................................... | 5 |
| What To Bring To Any Audition........................................................... | 6 |
| Cardinal Do's And Don'ts When At Any Audition...................................... | 7 |
| FILM AUDITIONS............................................................................ | 8 |
| Do's And Don'ts Of Movie Auditions...................................................... | 10 |
| How To Enter And Exit A Movie Audition............................................... | 11 |
| Performance Of A Movie Audition......................................................... | 12 |
| What To Bring To A Movie Audition...................................................... | 13 |
| How Movie Auditions Differ From Other Auditions.................................... | 14 |
| TV AUDITIONS................................................................................ | 15 |
| How To Enter And Exit A TV Audition................................................... | 17 |
| TV Audition Performance................................................................... | 18 |
| What To Bring To A TV Audition.......................................................... | 19 |
| The Difference between TV Auditions vs. Other Auditions........................ | 20 |
| Commercial Auditions: What Is My Commercial Look?............................... | 21 |
| What To Bring To A Commercial Audition............................................... | 23 |
| How Commercial Auditions Differ From TV, Film, And Theatre.................... | 24 |
| DANCE AUDITION: PERFORMANCE TIPS............................................. | 25 |
| Dance Auditions Overall..................................................................... | 26 |
| How To Enter And Exit A Dance Audition............................................... | 28 |
| What To Bring To A Dance Audition..................................................... | 29 |
| Difference Between Dance Auditions vs. Acting Auditions......................... | 30 |
| THEATRE AUDITIONS...................................................................... | 31 |
| How To Enter And Exit A Theatre Audition............................................ | 32 |
| Theatre Audition Performance............................................................. | 33 |
| What To Bring To A Theatre Audition................................................... | 34 |
| How Theatre Auditions Differ From Other Auditions................................. | 35 |
| Broadway Auditions.......................................................................... | 36 |
| SINGING AUDITIONS....................................................................... | 38 |
| Singing Audition Performance.............................................................. | 40 |
| How To Enter And Exit A Singing Audition............................................. | 41 |
| What To Bring To A Singing Audition.................................................... | 42 |
| MODEL AUDITIONING...................................................................... | 44 |
| What Do You Need To Look Like?........................................................ | 45 |
| What To Bring To Model Auditions....................................................... | 46 |
| How Modeling Auditions Differ From Acting, Singing And Theatre Auditions........................................................................................ | 47 |
| CANADIAN AUDITIONS.................................................................... | 48 |
| How Canadian Auditions Differ From U.S. Auditions................................. | 49 |
| Forms And Guilds For Canadian Actors.................................................. | 50 |
| KIDS AUDITIONS............................................................................ | 52 |
| What To Bring to A Kids Audition......................................................... | 53 |
| How To Enter And Exit A Kids Audition.................................................. | 54 |
| Kids Audition Performance.................................................................. | 55 |
| How Kids Auditions Differ From Adult Auditions....................................... | 56 |
| Should My Child Act?........................................................................ | 57 |
| As A Parent, How Should I Act?.......................................................... | 59 |
| Ten Tips For A Successful Kids Audition................................................ | 60 |
| Legal Documents For Child Work.......................................................... | 61 |
| HARRY POTTER AUDITIONS.............................................................. | 63 |
| WHAT IS AN OPEN CALL AUDITION?.................................................. | 64 |
| What To Bring To An Open Call Audition............................................... | 65 |
| How To Enter And Exit An Open Call Audition......................................... | 66 |
| Performing At Open Calls................................................................... | 67 |
| How Open Calls Differ From Other Auditions........................................... | 68 |
| WHAT IS A MONOLOGUE?................................................................ | 69 |
| How Do I Choose The Right Monologue?............................................... | 70 |
| SAMPLE RESUME............................................................................ | 71 |
| MEASUREMENTS............................................................................. | 72 |
| TO WRAP UP.................................................................................. | 73 |
| GLOSSARY..................................................................................... | 74 |
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